The 80′s

23May12

I found a few rolls from Back In The Day and threw them on the scanner to see what I could see.

Its the 80′s!!!

Way back when, I did a whole series of shooting nightclubs, heavily influenced by Brassai and Weegee, go Google them if you don’t know those names.

Shot with an Olympus OM-3 and probably a Zuiko 24mm f/2.8, I was into that lens for a time. Flash was the 1980′s standard Vivitar 283. As you can see from the film edges, it was Kodak Tri-X bulk loaded (that’s what the 5063 code means) and most likely processed in Ilford Microphen.


Trippy

14May12

Hey Howdy Partners, just back from the deep West South-West where I attended my sisters’ commitment ceremony to her partner Becky, both shown here doing a lovely spin on the dance floor.

It was Country-Western night for the ladies bachelorette party (does that even make sense?) and it was great fun.

I learned a lot this fine evening.

I learned I am not very good at line dancing, whether it is the Electric Slide or Country-Western.

I am also apparently a (mostly) terrible dance partner, but I had a lot of challenges: 1. I was not leading. 2. The woman I was dancing with had a much clearer idea of what the dance was and what I was supposed to be doing. 3. It was one of those dances where the “leader” and “follower” don’t face each other but face in the same direction, with the “leader” behind the “follower”. 4. There was a large mirror in which I attempted to figure out what I was doing right, further confusing me. 5. I can’t count dance steps after 4 (or 5?) drinks with tequila.

My dance partner graciously accepted the dance (more like she was goaded into dancing with The Straight Guy) and after instantly assessing that I was embarrassingly useless she calmly and firmly guided me straight off the dance floor.

I also learned that a ‘Gay’ bar is great fun, full of kind wonderful people having a great time dancing and socializing.

I recommend every straight person go at least once in their lives. Ask one of your gay friends to take you sometime.

Shot with a Nikon D3 and a Nikkor N 28mm f/2. Its pretty low light and the disco lights blew out the saturation but I like the feel of how this looks.


Shea

29Apr12

Shea puts a gloss on her lips.

Shot with the Rollei 6008i with the Carl Zeiss Planar 80mm f/2.8 on Kodak TMY-2 400 in DK-50 1:1, my new favorite medium format developer.


I was lucky to load a fresh roll right before this started.


Breathless

09Apr12

Kind of leaves you breathless…

Shot with my Baby Graphic, fitted with a 6×6 camera back and a Carl Zeiss Jena 105mm f/4.5 Tessar, on Ilford Pan-F+ processed in a very obscure AGFA-Geavert developer V-222.


Another View

04Apr12

Another one of Natalie. This one was scanned using a different scanner, and I think it turned out better.

Its always a refining process, and especially in this era there are often many paths that a photographer can take.

Shot as the other image, on the Rollei 6008i with Carl Zeiss Planar 80mm f/2.8 on Kodak 400VC, think the third (and Final) version of that film. Exposure was perhaps f/4 at 1/1000.


Dynamic Range

04Apr12

There are some shots where the dynamic range of traditional black and white materials just seems make hard shooting situations easier.

I’m certain that those of you who only practice digital would look at this shooting situation and think much different thoughts than I did.

Shot with a Nikon F4s and a Nikkor 20mm lens, on Fuji Neopan 400 in Xtol.

Stephanie and Bill, on the cliff at the Ritz-Carlton Kapalua with the excellent surfer Pili as their minister.


Buick

27Mar12

Shea, hanging out.

Last week had to just get out and shoot, and Shea was up for a roll or two. I previously shot Shea as part of the Pualani Swimwear catalog a few months back. I used my Rollei 6008i (with my newly rebuilt battery pack) fitted with the fine Carl Zeiss Planar 80mm f/2.8 PQS lens. For the film I used an old roll of Kodak Portra 400VC, the original version, Kodak made at least 2 improvements to that emulsion before ending the VC (vivid color) and NC (neutral color) versions all together. I shot one or two rolls of B&W that I’ve yet to do, I can’t decide what developer to soup it in!

Special thanks to Iiad for the use of the large, period correct prop known as a Buick.


Shot on JPEG!

ISO 3200, f/2.2 at 1/60th, adobe RGB, auto WB, with both Lens Correction modes set to Disable.

Impressive camera. I managed to touch it briefly. The Carl Zeiss ZE handled well in video.

Thanks to Natalie for the test (especially with all those in depth Canon Menu Options) and the modeling too.

Seems they got a whole heap of them over at HPR. If this camera At All interest you go check it out, its pretty sweet.


Natalie

21Mar12

Natalie, out on a weekend shooting a few rolls.

Shot with the Rollei 6008i with the Carl Zeiss Planar for Rollei 80mm f/2.8 PQS on Kodak Porta 400VC. The processing seems a bit flat, with a few pieces of junk on the film. I did a fairly quick scan and minor corrections but I’m going to try another scanning route.

Love that Rollei HFT coatings, such clear clean contrast into the shadows with bright conditions. The extra stop to 1/1000 is quite handy as well.




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